Romantic suspense
is my favorite genre to both write and read. Nowadays there’s an overlap
between ‘suspense’ and ‘romantic suspense’ as most suspense novels contain a
certain amount of romance. Once, well-known male writers seemed to have decided
at the last second, “Oh, don’t forget my female readers.” And they hastily
shoved in a little liaison. Or perhaps their publisher gave them a nudge. But
often those interludes seemed forced. However over the past few years they’ve
become much more adept at the romantic aspect e.g. Harlen Coben and James
Patterson.
And hey, haven’t female authors got gutsy and down and dirty
lately when writing suspense? Huh? I just love Karen Rose, Tami Hoag and Anne
Stuart. Their background knowledge shines for me because it’s not overly
technical as if it’s saying: “Hey, I did my homework!” But the romance is
peripheral to a darned good story each time.
I was born in New Zealand and spent most of my life there,
although our family now lives in Australia. The two main differences between
Australia and New Zealand are the weather (warmer over most of Australia if you
discount Tasmania which is very blue/green like New Zealand because it’s wet
and often cold), and the fact that NZ has 4 million people and B-I-G Australia
has 21 million residents. Yup. Australia is vast. It is the sixth largest
country in the world and has a whole continent to itself. It’s not the sort of
place where you get in your car and zip over to Auntie Flo’s. If you hear an
Australian say, "It’s just down the road," you know they lie. Sure,
it’s just down the road, but the road is a 2,000 kilometer dust-encrusted two-lane
bitumen highway straddling two states, millions of curious kangaroos, hundreds
of racing emus trying to beat your car, some wild camels, a million gumtrees,
several townships and a couple of rivers if you’re lucky. Nor is it the place
to get lost in the bush, since much of the bushland looks the same. You can go
around in circles forever.
When they say, "It’s just down the road" in New
Zealand, they mean it’s down a one-lane bitumen highway that goes for ten
kilometers then switches to a gravel road that finishes at Jessop’s farm with
1,000 sheep dotting the peaceful hillsides. And at the back of that farm is
bushland, tight, green and impenetrable. In the winter it drips with damp and
in the summer the cacophony of cicadas screams in your ears.
But I digress. They say ‘write what you know’ and because I
know more about the NZ Police than I do the Australian system, I based
LETHAL REFUGE on the NZ system. But I took liberties with
the truth. Of course I did. It’s fiction, for heaven’s sake. But think of the
British Police and you’ve got a handle on the NZ Police Service which was
originally based on the British system.
In LETHAL REFUGE, Célie Francis, a
prickly young woman, self-reliant to the point of being irritating, witnesses
the aftermath of a murder and is stalked by the murderer. When she is placed in
the witness protection program, she can no longer be self-sufficient. She is at
the mercy of a bunch of people who want to help her, for God’s sake. And then
there’s Brand Turner, the police psychologist with a vulnerable intellect as
high as the sky who has an annoying habit of demanding trust from the
relocatees. When the murderer seems to track their every move, Célie finally
realizes she can’t do stuff on her own any more.
I’ve had two romantic suspense books published over the past
couple of years and there’s another in the works. I’ve much enjoyed writing
them, even though I’m known more for my Regencies. Anyway, here’s something
about LETHAL REFUGE, set in New Zealand:
Who can you trust if you can’t trust your own
mother? Through the clammy fog, Celie Francis hears the chilling message. “I
know who you are, Celie. I know where you live.” And in the terrifying
aftermath she reconnects with her dysfunctional family in ways she had never
imagined.
BLURB:
Abused and abandoned as a child, Célie Francis knows better
than to trust anyone. But after she witnesses a murder, she's placed in the
Unit "New Zealand's witness protection program" where she's expected
to trust strangers with her life.
It's psychologist Brand Turner's job to ease witnesses into
their new identities, not to protect them, but Célie stirs feelings in him that
are far from professional. When it appears someone is leaking critical
information that could endanger Célie, Brand will do anything to protect her.
But first he has to convince her to trust him.
Adrift in a frightening world, Célie would like to believe
the handsome psychologist is everything he seems, but as witnesses are murdered
and danger swirls around them, Célie must decide "can she trust Brand with
her life?
Please click onto my Amazon
page or The Wild Rose
Press where you will find LETHAL REFUGE
in both paperback and e-book.
I have attached two pictures to show just how impenetrable
the New Zealand bushland can be.
This house is Brand’s next door neighbor’s place. Steve and
his wife don’t miss much and Brand’s low profile gets shot to hell by Célie’s
behavior.
Now this picture shows the type of area that Célie stumbled
around in, right on nightfall. Creepy, huh?
If you have any more questions or would just like to say
"Hi", email me vonniehughes@yahoo.com.au.
In the meantime, have a great day!
~Vonnie
Hey Tom! Thanks for having me here.
ReplyDeleteMy pleasure, Vonnie.
ReplyDelete